As we live, so we believe, so we worship together
A liturgical exploration into the causal interrelationships between lex orandi, lex credendi, lex (con) vivendi
DOI:
https://doi.org/10.17570/stj.2021.v7n2.a5Abstract
The adage lex orandi, lex credendi, lex vivendi (or lex (con)vivendi) denotes causal interrelationships between worship, belief and life. Simply one affects the others as this adage forms the foundation of doctrine and/or a moral life. However, if there are true causal relationships between “as we worship” (lex orandi), “so we believe” (lex credendi), “so we live” (lex vivendi) then the adage can also be understood as: “as we live” (lex vivendi), “so we believe” (lex credendi), “so we worship” (lex orandi). This leads o the question: how does popular art and music in the lived experience (lex vivendi) influence/affect belief and therefore worship? In terms of promoting acceptance in the church this investigation begins by using two examples from popular music by Taylor Swift and two examples from British rapper Stormzy with the supposition that the artists intend to provoke a change in thinking that encourages an ethical acceptance of difference across society. This article is from a paper that was presented at the 2021 Societas Liturgica Conference hosted by University of Notre Dame.
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Hilton Scott

This work is licensed under a Creative Commons Attribution 4.0 International License.
https://creativecommons.org/licenses/by/4.0/
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Please note that erroneous copyright information is given in the PDFs before Volume 9, 2023.