Diagnosis in clinical pastoral counselling
PDF
HTML

Keywords

theological anthropology
spiritual assessments
pastoral therapy
sanctuary model
clinical practice
diagnostic indicators
spectrum of lived experiences

How to Cite

Hunt, S. ., & Louw, D. (2024). Diagnosis in clinical pastoral counselling: the sanctuary model as theological anthropological framework for spiritual assessment and treatment. Stellenbosch Theological Journal, 9(1). https://doi.org/10.17570/stj.2023.v9n1.a31

Abstract

The article investigates the feasibility of the sanctuary model as a possible theological anthropological framework for diagnostic and treatment purposes in clinical pastoral practice. It is argued that the wilderness tabernacle matched the criteria for qualifying as a prototype sanctuary. The building-sanctuary is viewed as a metaphorical “body” for God’s being present in, and daily engagement with, human beings throughout all life trajectories and painful events. The notion of a spirituality of sanctuary is analogously linked with similar concepts in the human body-sanctuary (soulful embodiment) in accordance with Paul’s sanctuary-related anthropological terminology. Within the framework of sanctuary thinking and the founding of a theological anthropology, indicators for the assessment of a Christian spiritual praxis in clinical environments have been derived, suitable for diagnostic assessments and treatment. It is argued that the identification of possible directives for making a spiritual assessment of a person’s state of well-being (wholeness), could provide a broader platform from which patients can describe and interpret their responses to God within the therapeutic process of pastoral caregiving. In this regard, the praxis of a clinical approach is in fact a prolongation of wisdom counselling within the parameters of the discipline of cura animarum.

https://doi.org/10.17570/stj.2023.v9n1.a31
PDF
HTML
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2024 Sonya Hunt, Daniël Louw