The cinematic hidden Christ – His invisible divinity and his visible humanity
DOI:
https://doi.org/10.17570/stj.2017.v3n2.a13Keywords:
Christology, hidden Christ, immanence, revelation, symbol, transcendenceAbstract
If we want to reflect upon the impact of the many ‘hidden Christ’-images in modern films at a theologically responsible way, we need to incorporate that reflection into our doctrine of revelation. That will imply that we have to re-open the classical Gospel-Culture discussion. Especially in the United States we can recognize a lot of original approaches to this issue in Reformed circles (Wolterstorff, Dyrness, Begbie, Seidell, etc.). The main question to be put in this article will be: How can we develop criteria to assess the depiction of the divine in these films?Published
Issue
Section
License
Copyright (c) 2017 Martien E Brinkman

This work is licensed under a Creative Commons Attribution 4.0 International License.
https://creativecommons.org/licenses/by/4.0/
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Please note that erroneous copyright information is given in the PDFs before Volume 9, 2023.