Beauty appears in sadness, misery and folly an ethical perspective
DOI:
https://doi.org/10.17570/stj.Supp.2019.v5n2.a11Abstract
This chapter focuses on the beauty that often appears in and from (extreme) sadness, misery and folly. It argues that the experience of beauty is an ancient impulse, and that one need not progress through the lower hierarchical levels set out by the psychologist Maslow before experiencing the higher, more sophisticated level of beauty. It looks at how beauty and ugliness are often interwoven with each other, but also how each one takes its own form and style in society. Beauty calls and attracts us; it is present in everybody and all around us; there is a transformative power in beauty that invites and encourages us to become the changing music in this world and transform it through a cosmic dance that radiates further beauty. With a view of John's vision from Patmos of the New Jerusalem, we must try to transform our cities with beauty, goodness, and truth.
Published
Issue
Section
License
Copyright (c) 2019 Chris Jones

This work is licensed under a Creative Commons Attribution 4.0 International License.
https://creativecommons.org/licenses/by/4.0/
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Please note that erroneous copyright information is given in the PDFs before Volume 9, 2023.